At some point during a fascination with the praying mantis, I came across a term called Sexual
Cannibalism. It's a trait of female
praying mantes and other carnivorous insects, who eat their mates prior to, during, or after copulation. There
are a few
theories as to why this
behaviour evolved -- the theory of adaptive foraging, for example, suggests that the mate may be more valueable
as a meal than a partner
(lol).
I had also been watching Scavengers Reign at the time, and completely in awe of some of the wildly obscure and chained
biological
processes that the animation team had designed.
These themes eventually fused together in my head to create the concept of the Alien Seductress -- an alien
that is sent to earth to assist her species in their modest goal of biological survival. In this universe, an alien
species discovered codes in the
human DNA that could be used to optimize their reproduction cycle.
They observed humans and the absolute power of female seduction on men, and devised a strategy to retrieve the human specimen:
sending disguised females down to earth to seduce, capture, and feed males into their biological baby making
machines...
Sketches of the baby making machine
This concept was probably pulsing in my head for over a year! I played with some storyboards and sketches, and talked about it
a
lot, but could never really move the idea along. Until Aiji came to me!
Aiji is a director, photographer, and
body artist,
from Nizhny Novgorod and with roots in Kyrgystan. We met in 2024 in Tbilisi, and I fell in love with her soft
charm and whimsical vision of beauty and femininity. We were so in line creatively, but sadly did not have enough time
to create together before her move to Belgrade.
In 2025, our paths aligned again in Tbilisi and I told her the story of
The Seductress.
PRODUCTION
Aiji was exactly what this story needed. She jumped in as the director, and brought life to the concept with a
romantic eye and lo-fi look. I remember how inspired I was after she first showed me the treatment she made to convey our ideas to the Styling, Casting, and Makeup team.
Section of Aiji's Treatment for SeductressSeductress and her Victim Casting
We decided to have the Seductress's lair be at the stylist's apartment, as it conveniently fit the storyline and our production
constraints! We shot the film in reverse with the apartment scene being first, to have the
bodypaint be fresh. We experimented with shadow play scenes to bridge the gap between the lovely couple entering
the apartment and seeing the victim in the machine, without having to do any VFX or complex acting.
We wandered around the underground passages of Tbilisi for the
"night walk home" scenes, and ended
with the bar for the "seduction" scenes, and a few Alkhanaidze's :)
Aiji bodypainting the SeductressShadow play in the Seductress's Lair
Post Production
Full behind the scenes clip
Post went smoothly overall, yes the nodes in the screen capture below are normal. We had designed the story and shots in a
way where VFX complexity was quite low.
There was only one shot that needed compositing, which we shot on a DSLR to have cleaner footage for tracking.
As always, designing the 3D element went through phases of creative blocks and brilliance. The
final inspiration that made it click for me was strangely a drawing of the human pelvis in an anatomy book.
I could not have made this baby making machine without Leneeen and the "Sweet Child" that they kindly modeled and shared for free on Sketchfab.
I used it pretty much as is for the alien baby, and it honestly made me smile everytime I thought about
it (smiling as i'm typing this!).
You know how Houdini be sometimes.What the Seductress really looks like!